Tag Archives: economics

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It’s Friday evening, the first of July. Most people have left work to enjoy the start of a sunny weekend.  An overworked Arts Council England administrator is still at their computer, sending emails via Grantium, the overworked arts grant application portal. A backlog of decisions, already delayed due to high volumes, needs posting. 

We had been expecting an email all day in response to an application we’d submitted back in March for eleven new commissions. 

The email is neutral. It alerts you that a message has been posted on Grantium. You have to log on. You have to remember your username and password before learning your application’s fate. For us, it was good news. I hadn’t realised just how stressed I’d been awaiting the decision. The rational part of me knew that it was a good application and that if rejected, it would be due to oversubscription rather than a damning indictment of our ideas and values. We could apply again. We wouldn’t have had to close down without this revenue.

The relief was physical. I sat in the sun and read the application appraisal on my phone, which was glowing with no conditions. Now, we need to deliver it.

Some background. In the heady days before covid, we were awarded a similar sum to deliver several commissions, including two digital art pieces (Hit the North by Matt Wilkinson & Monument by Elliot Flanagan), two tourable outdoor theatre shows (Cabinet of Curiosity by Eye of Newt & Conference of the Birds by Frolicked) and a new show, specifically for libraries (Miss Nobodies by Ruth E. Cockburn). 

All these commissions we co-curated by groups of people from Lancashire, including young librarians, a promoters group from Burnley, the Friends of Fairhaven Lake and women in Great Harwood. 

All were successful, but we learned a lot along the way, not least how to manage a commissioning programme during a pandemic. We have broadened our reach and pre-appointed artists to engender a more collaborative process between artists and the curatorial group. 

What we plan is: 

So far, we have accepted Arts Council England’s offer of funding. We have told our partners and informed the artists that we have been given the go-ahead. I plan to use this blog to record progress. There will be ups and downs, but that is the creative process. I will also go back and tell some of the stories from our previous commissioning programme. I hope readers will find our journey interesting, and we welcome you on our learning journey over the next few months. We will need to hit the ground running as we plan to have most of the creative work done by the end of March 2023. In the middle of this (October 2022), we are due to find out if our application to become an Arts Council England National Portfolio Organisation from April 2023 is successful. Another nervous fumbling for the Grantium login details awaits. 

READ, READ, READ and ask WHY? WHY? WHY?

Yesterday was the first day proper of my Master year here in Rotterdam. Last year I successfully completed the Pre Master course which gave me a grounding in economics, social science research and statistics, amongst other things. Now the real work starts.

There are about sixty people in all, (it is hard to tell exactly as even the University is not one hundred percent sure who will turn up). About twenty of us did the Pre Master. We are the ones who know our way round, know most of the lecturers and how to use the EUR online services. We are the mostly European but span five continents. I am the only Brit.  I have included a list our home countries – sorry if I have missed anyone.

Where we are all from: Australia, Austria, Brazil, Czech Republic, China, Columbia, Ecuador, Germany, Ghana, Hong Kong, Hungary, Italy, Korea, Netherlands, Portugal, Russia, Spain, Taiwan, UK, Vietnam

Last week we had an introduction day when we went to visit an artist’s studio and a creative industry hive around Marconiplein in the west of the city. There were drinks at the city farm and a departmental party at a club on the river. On Saturday Guus and Dennis, two friends from the Pre Master course last year, organised another party with the aim of helping the old PMs and newbies to get to know each other better.

We have a course Facebook group which is really useful in terms of keeping on top of things. I seem to have adopted the role of updating the literature we have to read. At least this means that I am sure of knowing what we are supposed to be doing.  

Yesterday was the first day proper.  We had two, three hour lectures. The first was lead by the Department’s Professor – Arjo Klamer. Arjo is something of a celebrity here in The Netherlands as a frequent commentator in the press and on TV. He was the world’s first professor of Cultural Economics and has been fulfilling the role at Erasmus University for as long as most of my fellow students have been alive. He is leading a course on Cultural Organisations which will be strongly influenced by his own research on values. Over the course of the next eight weeks we will complete a group project and a number of essays. Why we organise and why cultural organisations organise as they do is really interesting to me. It was partly the subject of my thesis last year. Let’s see if my thoughts chine with Professor Klamer’s.

Our second was on Cultural Economics with Dr. Erwin Dekker. We didn’t meet Dr. Dekker last year as he spent a postdoctoral year in the USA. This course aims to strongly link  economic theories to art and culture. This course will be structured as a whole group lecture one week and smaller seminar groups, of about 20 the next. I don’t claim to be a natural economist but am looking forward to getting a bit of a better grip of the concepts. I think Dr. Dekker’s approach will suit me down to the ground. We have a number of essays to do here – the first two due in two weeks.

Our third course this term will be on Cultural Entrepreneurship. We start on Thursday. Starting in October we will undertake a series of research workshops. More on those to follow.

Two themes seem to be emerging Professor Klamer told us that we should not be asking HOW? but WHY? WHY? WHY? Dr. Dekker told us that we should READ, READ, READ and WRITE. I’d better get on with it.

 

Back by popular demand

Or I soon will be. My first year in Rotterdam was fantastic – I’ve loved almost every minute. Sorry for my absence from your screens. I have been duly reprimanded and will endeavour to try harder.

After a Summer break, back in the UK, August turns and I start to think about coming back to Pancake Street. I’ll be sharpening my pencils and filling my fountain pen in readiness for the MA proper. At the end of June the results were in – confirming that I had cleared the hurdle of passing the Pre-Master year.

My Pre-Master thesis was on the relationship between CEOs and boards of arts organisations. I got a good grade but gratefully take on board the feedback that I made it a bit too complicated. This is great learning for next year when the thesis element will be twice as long and worth a third of the grades for the year.

20160606_181421Since I last tapped a key on this site I have also completed courses in Academic Writing, International Arts Markets and Advanced Economics of the Cultural Industries. I feel academically well equipped and a little nervous about the year to come. Most of my Pre-Master friends will be returning with another thirty five or so new faces who will be coming straight onto the Master year. Lots of new friends to make and new people to learn from. I can confidently say that I have learned as much, if not more, from my fellow students as I have from the formal lectures and assignments – that is how Universities should be.

I will be flying back to Rotterdam in about ten days time. Sue is coming back with me for the weekend and I’ve got a few days to re-orientate myself before the learning begins in earnest. I fear that my limited Dutch has rusted over during the Summer and I will be a lot poorer as the pound has plummeted against the Euro but I look forward to settling back into life on Pancake Street.

Enrolled and official

I’m going to Rotterdam to study and to learn.  Yesterday, my status at the University changed from ‘accepted to ‘enrolled’ . I am officially a student again. As the start time gets closer I get more and more nervous. Erasmus University in Rotterdam is a proper university. According to the Times World University Rankings it comes in at 72. It is only beaten by about half a dozen UK universities that I would never dream of applying to. I’m just a boy with a mediocre vocational design BA from a former Polytechnic. I can’t even find my alma mater in the rankings. The course that I am going to do is ranked second in the world for  “Arts and Cultural Management” according to www.best-masters.com.  This is serious stuff.20150717_121557_001

I’ve got a lot of experience in cultural management. I’ve been doing it for years but the academic rigour is going to be a challenge. It’s no good just knowing something. You need to know why and how. You also need to back it up with research and evidence. I will also need to get into the habit of academic writing. The thing I’m least looking forward to is all the reading. I want to learn, I want to gain the knowledge but I also know that some of the texts I need to absorb will be rather dry and not well written from a readers point of view.

Erasmus University, (EUR), is not ivy covered. It’s not actually very old. In University terms it’s just a baby having been formed a mere 102 year ago in 1913 as the Netherlands School of Commerce. It’s occupied its present site since 1973. As with the rest of Rotterdam there is a lot of concrete. There is also a major building programme going on with twenty first century architecture springing up along the new University Plaza. There is a separate Medical Centre and Erasmus University College, (across the road from my flat on Pannekoekstraat), in the city centre but the main Woudenstein campus on the edge of Kralingen is where I’ll be based. It’s about a fifteen minute cycle or short tram ride away.  EUR has about 21,000 students of which about a quarter are international. Its alumni include nobel prize winners and Dutch Prime Ministers.

I’m still waiting for my timetable. It would be handy to have it soon so that I can book flights back to the UK when they are cheapest. It looks like things are well organised and that all lectures are condensed into half a week. There are four terms and the timetable changes for each one. For the past two years Term One contact time, (lectures, seminars and work groups), has started as midday on a Tuesday and finished at midday on a Thursday.  British universities seem to start in October and finish at the end of November for Christmas.  EUR lectures start on August 31 and don’t finish ’till December 18.  My first exams will be at the end of Term One in November.

If you’re interested this is what I’ll be studying in my first year:

Study schedule per term

Term Courses
Term 1 Introduction to Economic Theory
Creative Economy and Creative Organizations
Introduction to Social Science Research
Term 2 Economic Geography of Creativity and Urban Development
Values of Culture
Introduction to Statistical Analysis
Term 3 International Art Markets
Academic writing 
Bachelor’s Thesis Class (gr. 4-E or 5-E) (4 weeks)
Term 4
Advanced Economic Aspects of Cultural Industries
Bachelor’s Thesis Class (continuing from term 3)
Bachelor’s Thesis

Hello world!

We are living in interesting times. We were all surprised by the UK election result last week which goes to show us that the future can not be predicted with ease. At Culturapedia we know that change is good and that we need to be in a continuous state of evolution. We like this – one of our core values is that we love adventures.

With all this in mind, I have decided to do something dramatic. I am going to go and do an MA in Cultural Economics and Entrepreneurship at Erasmus University in Rotterdam. I will continue to be a director of Culturapedia. I will continue to work on the business but I won’t be around quite as much as I have been. Instead I will be opening the Rotterdam Office.

Why go to Rotterdam? There are a whole host of reasons but most importantly is offers a course that is both highly relevant to what we do that I am really interested in. This is an international course, taught in English, that attracts students from all over the world. A German friend of ours is always reminding us that we are ‘little islanders’, sitting off the coast of Europe thinking we know best. I want to learn how things are done elsewhere. There is another pragmatic reason – as an EU Citizen I will benefit from considerably lower tuition fees than I could find in the UK. I also want the adventure of living abroad, living in the centre of a big city and the chance to (try and) learn a new language.

Rotterdam is surprisingly close. Just a short flight from Manchester or Liverpool to Schiphol airport then a 25 minute train ride into the centre of Rotterdam. Even with all the airport hassle we have to go through I can do home to the centre of Rotterdam in 4 hours. I will be coming home frequently and my wife, Sue will be coming over to visit the Netherlands just as much.

The course will start in September. I will need to make a couple of trips before hand to sort things out. I am buying a flat and plan to write this blog on my experiences. There will be lots to write about. Rotterdam is full of art, culture, brutal and contemporary architecture. It’s multicultural and lively. It’s one of the world’s largest ports and a land gateway to the rest of Europe.